Collection: Flowers in the Attic
HISTORICAL BACKGROUND
Towards the end of the 1960s, a sense of nostalgia infused fashion, providing alternatives to hard-edge futuristic styles. Instead of looking forward, 1970s designers sought inspiration in the past and from the traditional dress of foreign cultures. For the bride, this could mean selecting a figure-hugging 30s-inspired sheath, a flowing kaftan, or as seen here, romanticised Victorian styles.
The renewed interest in Victorian and Edwardian fashions reflected aspects of popular culture such as the television dramas ‘Upstairs Downstairs’ (UK, 1971) and ‘Little House on the Prairie’ (USA, 1974) and films ‘The Great Gatsby’ (USA, 1974), ‘The Go-Between’ (UK, 1971) and ‘Picnic at Hanging Rock’ (Australia, 1975).
Britain’s Laura Ashley was just one of many influential designers promoting romantic Victorian and Edwardian styles as an alternative to everyday fashion. Such styles were perfectly suited to bridal wear, lending a playful, buttoned up ‘prim and properness’ to the otherwise flirty frills, flounces, pretty laces and ‘little girl’ bows.
Towards the end of the 1960s, a sense of nostalgia infused fashion, providing alternatives to hard-edge futuristic styles. Instead of looking forward, 1970s designers sought inspiration in the past and from the traditional dress of foreign cultures. For the bride, this could mean selecting a figure-hugging 30s-inspired sheath, a flowing kaftan, or as seen here, romanticised Victorian styles.
The renewed interest in Victorian and Edwardian fashions reflected aspects of popular culture such as the television dramas ‘Upstairs Downstairs’ (UK, 1971) and ‘Little House on the Prairie’ (USA, 1974) and films ‘The Great Gatsby’ (USA, 1974), ‘The Go-Between’ (UK, 1971) and ‘Picnic at Hanging Rock’ (Australia, 1975).
Britain’s Laura Ashley was just one of many influential designers promoting romantic Victorian and Edwardian styles as an alternative to everyday fashion. Such styles were perfectly suited to bridal wear, lending a playful, buttoned up ‘prim and properness’ to the otherwise flirty frills, flounces, pretty laces and ‘little girl’ bows.